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To: sc-users-digest@lists.io.com
Subject: sc-users-digest V1 #202
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sc-users-digest Wednesday, November 15 2000 Volume 01 : Number 202
----------------------------------------------------------------------
Date: Tue, 14 Nov 2000 16:35:48 -0800
From: "Stephen T. Pope" <---@---.--->
Subject: CREATE Concert Event -- 11/16/00
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Please see the attached description of the up-coming CREATE Fall 2000 Concert
CreatEmotion -- compositions written for the Creatophone
multi-channel sound spatialiser
Thursday, 16 November 2000, 8 pm
Lotte Lehmann Concert Hall, UCSB
Santa Barbara, California, USA
Program
Beloved Mnemosyne (2000) Anne Deane [8:00]
osmos rhiza ordorata (hermetic segment IV) (2000)
Brian O' Reilly [8:00]
Four Magic Sentences (2000) Stephen Travis Pope [3:00]
Five Haiku (1999) Thom Blum [20:08]
Pulse, for eight-track tape (2000) Bryan Brown [8:00]
Mixed emotions (2000) Bebe Barron [5:44]
We look forward to seeing you there!
- --
stp
Stephen Travis Pope
http://www.create.ucsb.edu/~stp
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Music in Space
The Department of Music and CREATE present
CreatEmotion
Thursday, 16 November 2000, 8 pm
Lotte Lehmann Concert Hall, free admission
The Center for Research in Electronic Art Technology (Professor JoAnn
Kuchera-Morin, Director) presents compositions written for the
instruments and Creatophone spatialiser, a pluriphonic sound projection
system developed at CREATE. It consists of an orchestra of loudspeakers
under the directed by a composer operating a sound projection console.
The loudspeakers are distributed in various positions around the concert
stage and around the audience. Using the Creatophone, each "scene" in a
composition can be enhanced by a unique spatial image. Movement within a
composition (in pitch, rhythm, loudness, or timbre) can be enhanced by
spatial animation.
1 Beloved Mnemosyne (2000) Anne Deane [8:00]
Mnemosyne is the Greek goddess of memory and the mother of the muses. In
this work, memories of a parent's relationship are recollected by his
surviving children and used to recreate a journey forgotten by Alzheimer
disease. Beloved Mnemosyne combines wireless performer tracking
technology and computer-controlled production equipment for the creation
of an interactive sonic immersive environment about memory. This is the
concert version of the installation. The installation, capable of
responding to the behavior of those experiencing it, opens remarkable
possibilities for artistic, entertainment and educational media makers
to create smart entertainment in a ubiquitous computing environment.
This concert version is an illustration of what the piece might sound
like as one "performs" the work in the immersive space using the tracker
and sensor technology. The first prototype of Beloved Mnemosyne was made
possible by support from Professor JoAnn Kuchera-Morin (Director of
CREATE), Professor Fabian Wagmister (Director of UCLA's HyperMedia
Studio), Dean David Marshall (College of Letters & Science, UCSB)and
Professor Lee Rothfarb (Chair of UCSB's Music Department). The
installation premiered at the Expression Center for New Media in the Bay
Area, September 2000, as a feature of the MB5 2000 conference.
Anne Deane's acoustic and computer music works are distributed
internationally by Innova Recordings, Neuma Records, Computer Music
Journal CDs, and Theodore Front Musical Literature. Important
performances include the Electroacoustic Music Meeting in Sarvar,
Hungary, the International Computer Music Conference in Hong Kong, and a
solo Meet the Composer Concert sponsored by the Ojai Music Festival. The
premiere of recent commission, Pharos for piano quintet, took place in
Baltimore in April 1999 in celebration of Music in the Great Hall's 25th
anniversary. Her work for cello and orchestra, Reaching Antares, was
performed by the San Francisco Women's Philharmonic. Her latest
commission, Dreams Awake for alto flute, flute, and piano, was premiered
by the ZAWA! Flute Duo at Carnegie Recital Hall in February, 2000 and
then recorded on Neuma Records. Dr. Deane is the Associate Director of
the University of California systemwide Digital Media Innovation
Program, Assistant Researcher at CREATE, and faculty member of The
Walden School for young composers, a summer festival in New Hampshire.
2 osmos rhiza ordorata (hermetic segment IV) (2000) Brian O' Reilly [8:00]
osmos rhiza ordorata is a continuation on a conceptual line of thought
developed by Paul Klee as "andacht zum kleninen" (a devotion to small
things). From the study of the miniscule, the slightest detail, the
smallest manifestation of form within the every day
landscape/soundscape, it is possible to understand (in Klee's words) the
"magnitude of natural order." Thus, from a study of minutiae and its
interrelationships, one can deduce the unseen outlines of complex forms.
The strategic fiction used to produce the structural relations in the
work, is the erosion of form. Worn organic connections, self withering
mechanisms, leaking detritual pools of acoustic ecosystems, weathered
maps, the delicate stuttered buzz and click of insects left vibrating
within glass slides, and infected water tables.
Thank you to the Centre de Creation Musicale Iannis Xenakis (CCMIX,
Paris, where much of the source material was generated), Eliane Radigue
(who taught me the different ways to listen), Curtis Roads (for allowing
me use his Constant Q granular synthesis algorithm), and Marcella
Faustini (to whom the piece is dedicated).
Brian O' Reilly, a graduate of the Art Institute of Chicago, worked for
two years at the CCMIX center in Paris. There he collaborated with the
composers Eliane Radique and Luc Ferrari. He also works as a video and
installation artist. He is presently a graduate student in the Media
Arts and Technology Program at UCSB.
3 Four Magic Sentences (2000) by Stephen Travis Pope [3:00]
Four Magic Sentences is based on voices speaking four languages
(English, Swedish, German, and T'ang Chinese). It is a study for a
larger work-in-progress entitled "...nor shall my sword sleep
in my hand."
The piece is intended to be listened to several times in succession as
a chant or mantra. It was realized between August and October, 2000 at
the Electronic Studio of the Technical University of Berlin and the
CREATE studio in Santa Barbara. It was an invited composition for
Elliott Sharp's up-coming State of the Union CD.
Stephen Travis Pope (b. 1955, USA) is active as a software developer, as
a composer, and as senior research specialist at CREATE. Since 1977, he
has realized his musical works at computer music studios in Austria,
France, The Netherlands, Sweden, Germany, Canada, and the USA. His music
is available in recorded form from Centaur Records/CDCM, Perspectives of
New Music, Touch Records, SBC Records, and on MIT Press CDs. For
details, see www.create.ucsb.edu/~stp.
4 Five Haiku (1999) by Thom Blum [20:08]
The inspirations for this work came during sittings on top of the
Broadway steps overlooking North Beach in San Francisco. Here, numerous
haiku blew into mind, as effortlessly and as naturally as breathing.
Written over a two-year period, each of the five pieces interprets a
different poem. There are no clear divisions between the poem-pieces,
instead the music illuminates each poem through the choices and
relationships of the sounds, moment by moment. Rather than literal
renderings of the poems rhythms or content, the pieces are abstract
translations from the word-verbal to the sonic realm. In the end, "the
voice" of the poems is preserved.
1. Old day, café
thoughts and smoke drift out the window
onto the streets below
2. Big city glowing
.
fingers of light poke through
billowing fog mist
3. Bright day car
taped-up door-window
bakes in the sun
4. A pin dropping, sounds
shattering the silence that
cradles the sleeping drunk
5. Old pond
a frog leaps in
waters sound - Basho
Five Haiku is electroacoustic music. The raw materials include field
recordings made on walks in San Francisco. These were processed and
mixed using a variety of computer software: U&I Softwares MetaSynth,
Digidesigns Pro Tools, Cloud Generator (Roads and Alexander), Alberto
Riccis SoundMaker, and various signal-processing and effects software
created by Muscle Fish, Steinberg, and Digidesign.
Thom Blum was born in Columbus, Ohio in 1954. For the most part he is a
self-taught composer, although he studied composition briefly at
California Institute of the Arts (1972-1974). He completed a degree in
Computer Applications to Music Synthesis at Ohio State University
(1977). Nearly all of his music is electroacoustic. Recent works include
a series of audio postcards ("abstract travelogues") of Japan, Morocco
and Mexico, as well as a setting for poetry by the late Bob Kaufman, To
My Son Parker, Asleep in the Next Room. His music has been presented in
concerts, electronic music festivals, and radio broadcasts within the
United States, Europe and Asia. He has lived in San Francisco,
California since 1978 and has worked as an engineer for DroidWorks, a
researcher and software architect for Yamaha Music Technologies, and a
cofounder of Muscle Fish, an audio signal processing and analysis
software company.
5 Pulse (2000) for eight-track tape, by Bryan Brown [8:00]
Pulse is the third piece in which I continue my fascination with steady
rhythms as sound textures. I began with some basic gestures, and allow
the more interesting of those gestures to fall into rhythmic patterns as
the piece unfolds. The rhythms are juxtaposed to highly contrasting
moments, both in terms of silence and static sounds. The rhythmic
sounds were conceived using convolution, granular synthesis, or a
combination of both. A phase vocoder was used sporadically to manipulate
some of the source material. The static sounds were generated by
graphical synthesis. The source material was sampled voice and
manipulated noise. The piece was realized at Studio Varèse at CREATE.
Bryan D. Brown graduated from the College of Creative Studies at UCSB in
music composition. He is currently earning his M.A. in Media Arts and
Technology at the University of California, Santa Barbara, with an
emphasis in Electronic Music and Sound Design. He is also the engineer
at 91.9 KCSB-FM in Santa Barbara.
6 Mixed emotions (2000) by Bebe Barron [5:44]
In June 1998, there was a showing of the science fiction film Forbidden
Planet (1956) in a grand old movie theater in downtown Los Angeles.
People came up to say hello at the end of the evening. After one of them
introduced himself and was walking off, I did a doubletake and asked,
"Did you say you are Curtis Roads? I've always wanted to meet you." When
he came to visit a few weeks later, he told me about CREATE and invited
me to do some work there. I jumped at the chance to find out about
modern electronics. I hadn't worked since Louis died and we were still
using analog electronics. In the Summer of 1999 I went to Santa Barbara.
With assistance from Alberto de Campo and Bryan Brown, I began
experimenting with Creatovox synthesizer until I got an idea of what it
could do. All the sounds in this piece came from Creatovox. I took them
home to Los Angeles and told a friend, Jane Brockman (herself a
composer) that I wasn't sure how to proceed with the material.
Miraculously she offered to be the engineer, and was certainly a
Creative Engineer, enhancing the piece tremendously. We worked in her
studio on a MacIntosh G4 with Digital Performer to assemble the sounds
and a Lexicon PCM 90 reverberator. Strangely there is a resemblance to
Forbidden Planet, possibly because I thought of the editing and
construction in very much the same way. I wanted to prove that you can
teach a few new tricks to an old dog.
Bebe Barron (b. 1926, M.A: University of Minnesota) Louis and Bebe
Barron were married in l947. One of their wedding presents was a German
wire recorder said to be the same model that Adolf Hitler used to
prerecord his speeches. They began experimenting with it and became
aware of its musical possibilitiesbut were also aware of wire's
limitations. In 1950, they acquired the first of the tape recorders and
added loops to their repertory. They decided to work together in
electronic music and sound and in 1949 set up a recording studio in
Greenwich Village specializing in the avant-garde. Many illustrious
composers were their clients, including John Cage, David Tudor, Edgar
Varese, Virgil Thompson, Moondog, Teiji Ito, and Alan Hohvaness. Cage
invited the Barrons to be part of a project sponsored by Paul Williams,
the architect. Out of this came Williams Mix. The Barrons began
composing their own music, which Aaron Copland presented to the
Bethsebee Rothschild Foundation. It was greeted with hisses. They scored
many underground films and plays on Broadway. In 1956 they scored the
film Forbidden Planet for which they received an Academy Award
nomination. They divorced in 1971 but continued to collaborate until
Louis' death in 1989.
info@create.ucsb.edu
Created: 1999.02.09; LastEditDate: 1999.02.09
- --------------57674335049E673638BA5097--
------------------------------
Date: Tue, 14 Nov 2000 20:20:36 -0500
From: Jeffrey P Shell <---@---.--->
Subject: sc3.plays
from a weekend poking at imagesynth in SC3d1,
http://www.notype.com/users/eucci/pershing/cover/pershingsquare.html
any new comments on the development\release status of sc3? i may be
disconnected\weakly connected for a month or two starting dec.1 as local
providers get all mussed around.
> all dolled up 4 u!ntr -> http://euc.cx/
non! still dolled up for autumn,
looking for last years spectacular clothing for nuclear winter,
http://www.firstview.com/WRTWfall99/HELMUT_LANG/00001.L.JPG
http://www.firstview.com/WRTWfall99/HELMUT_LANG/00022.L.JPG
solve the election by declaring civil war.
------------------------------
Date: Tue, 14 Nov 2000 22:02:46 -0600
From: James McCartney <---@---.--->
Subject: Re: sc3.plays
on 11/14/00 7:20 PM, Jeffrey P Shell at jshell@mac.com wrote:
> from a weekend poking at imagesynth in SC3d1,
> http://www.notype.com/users/eucci/pershing/cover/pershingsquare.html
>
> any new comments on the development\release status of sc3?
I hope to have a new dev version up real soon.
* PlayBuf, RecordBuf now work and are more flexible.
* DiskIn, DiskOut, Synth.record now work and are easier to use.
* cmd-6 to toggle recording to disk in real time.
* WavesampleBank - greatly simplifies dealing with sound files, can be
loaded while running. Can even reload the file while a PlayBuf is using it.
* Synth.scope and Synth.xyscope work.
* A whole slew of all-in-one phase vocoder based spectral manipulation
objects.
* A global object Library for sharing static data between the real time and
non real time virtual machines.
* Object archiving to disk, and restoring from disk.
>
>> all dolled up 4 u!ntr -> http://euc.cx/
> non! still dolled up for autumn,
> looking for last years spectacular clothing for nuclear winter,
> http://www.firstview.com/WRTWfall99/HELMUT_LANG/00001.L.JPG
> http://www.firstview.com/WRTWfall99/HELMUT_LANG/00022.L.JPG
Post industrial lounge wear: http://www.hot-tool.com
- --- james mccartney james@audiosynth.com
SuperCollider - a real time synthesis programming language for the PowerMac.
------------------------------
Date: Wed, 15 Nov 2000 15:44:14 +0100
From: Arie van Schutterhoef <---@---.--->
Subject: Re: imagesynth
>> from a weekend poking at imagesynth in SC3d1,
>>
>> any new comments on the development\release status of sc3?
- -Talking about these things:
Are you thinking of developing the Image Synth in
the near future, supporting graphic file formats,
possibly even 3D,as well with things like
Quicktime Movie manipulations (a kind of visual
TSpawn, so to say), Quick Draw and Open GL?
best
AvS
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
^ Arie van Schutterhoef | arsche@xs4all.nl
^_ħħħħħħħħħħħħħħħħħħħħħħħ__""""""""""""""""""""""""""""""""" |
` |Schreck Ensemble http://www.xs4all.nl/~schreck/ |
` |# -laboratory for live electro-acoustic music- # |
` |Tel: 00-31-71-5612287 Fax: 00-31-70-3859268 |
*========================================================++
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
------------------------------
Date: Wed, 15 Nov 2000 09:27:44 -0700
From: David Cottle <---@---.--->
Subject: Send me your favorite musical quotes
Hi,
I've been working on my collection of music, composition, science/music
quotes. Send or post your favorites.
------------------------------
Date: Wed, 15 Nov 2000 17:52:43 +0100
From: integer@www.god-emil.dk
Subject: [none]
>Hi,
>
>I've been working on my collection of music, composition, science/music
>quotes. Send or post your favorites.
"any fool can program and most do"
- - dze author do not rekal
ma!z = mozt ultra approp 4 dze !merz!v. !nter.attakt!v. tekkno-zerf.generaz!e
+ !sz krema flavr ue = traversz ma!ntenant.
vr!!endl!.nn
pre.konssept!*n
meeTz ver!f1kat!*n.
-
Netochka Nezvanova - d!zperz!ng geometr!kl!
f3.MASCHIN3NKUNST
@www.eusocial.org
17.hzV.tRL.478
e
|
| +----------
| | <
\\----------------+ | n2t^P
|
e
------------------------------
Date: Wed, 15 Nov 2000 09:35:25 -0800
From: Lee Azzarello <---@---.--->
Subject: Re: [ot] [!nt] \n2+0\ DEAF nato.summit
Ms. Nezvanova,
What exactly is nato? It's hard to do any internet searches and get
something not related to the North Atlantic Treaty Organization.
- -lee
on 11/14/00 11:50 AM, integer@www.god-emil.dk at integer@www.god-emil.dk
wrote:
>
>
> _____
> the mir list is dedicated to the DEAF nato.summit - http://www.natosummit.org
> abroeck@v2.nl - "please, let me know who to add"
>
>
>
>
>
> ++
>
> zte!m rumor = tom demeyer
> = konztruktd nato. tzzt
> ...................
> ....uaz uear!ng dze nato logo.
> ....f!lm!ng dze nato uorkshop
> 4 lokaal telev!z!on
> .............nn had
> != apeard.
> ...............zm!ld aud!bl!.
> much d!zkuz!e + rumorz
> okkur!ng.
> .................2 tu!rl !n.
>
>
>
>
>
>
>
> vr!!!endl!. nn - r!ch.bored.edukated.
> all dolled up 4 u!ntr -> http://euc.cx/
>
>
>
>
>
>
>
>
> pre.konssept!n
> meeTz ver!f1kat!n.
>
>
>
> -
>
> Netochka Nezvanova - nothing : strength through diversity
> f3.MASCHIN3NKUNST
> @www.eusocial.com
> 17.hzV.tRL.478
> e
> |
> | +----------
> | | <
> \\----------------+ | n2t^P
> | >
> e
>
>
>
>
------------------------------
Date: Wed, 15 Nov 2000 09:44:14 -0800
From: Lee Azzarello <---@---.--->
Subject: Re: sc3.plays
Jeffrey, do you live in LA?
- -lee
on 11/14/00 5:20 PM, Jeffrey P Shell at jshell@mac.com wrote:
> from a weekend poking at imagesynth in SC3d1,
> http://www.notype.com/users/eucci/pershing/cover/pershingsquare.html
>
> any new comments on the development\release status of sc3? i may be
> disconnected\weakly connected for a month or two starting dec.1 as local
> providers get all mussed around.
>
>> all dolled up 4 u!ntr -> http://euc.cx/
> non! still dolled up for autumn,
> looking for last years spectacular clothing for nuclear winter,
> http://www.firstview.com/WRTWfall99/HELMUT_LANG/00001.L.JPG
> http://www.firstview.com/WRTWfall99/HELMUT_LANG/00022.L.JPG
>
> solve the election by declaring civil war.
>
>
------------------------------
Date: Wed, 15 Nov 2000 10:52:46 -0800
From: Mark Polishook <---@---.--->
Subject: Re:
David,
visit here
http://www-pu.informatik.uni-tuebingen.de/users/klaeren/epigrams.html
for a nice collection of programming epigrams by Alan Perlis
- -mp
integer@www.god-emil.dk wrote:
> >Hi,
> >
> >I've been working on my collection of music, composition, science/music
> >quotes. Send or post your favorites.
>
> "any fool can program and most do"
>
> - dze author do not rekal
> ma!z = mozt ultra approp 4 dze !merz!v. !nter.attakt!v. tekkno-zerf.generaz!e
> + !sz krema flavr ue = traversz ma!ntenant.
>
> vr!!endl!.nn
>
> pre.konssept!*n
> meeTz ver!f1kat!*n.
>
>
>
> -
>
> Netochka Nezvanova - d!zperz!ng geometr!kl!
> f3.MASCHIN3NKUNST
> @www.eusocial.org
> 17.hzV.tRL.478
> e
> |
> | +----------
> | | <
> \\----------------+ | n2t^P
> |
> e
------------------------------
Date: Wed, 15 Nov 2000 21:07:00 +0100
From: integer@www.god-emil.dk
Subject: Re: [ot] [!nt] \n2+0\ DEAF nato.summit
>Ms. Nezvanova,
>
>What exactly is nato? It's hard to do any internet searches and get
>something not related to the North Atlantic Treaty Organization.
>
>-lee
>
>on 11/14/00 11:50 AM, integer@www.god-emil.dk at integer@www.god-emil.dk
>wrote:
>
>>
>>
>> _____
>> the mir list is dedicated to the DEAF nato.summit - http://www.natosummit.org
>> abroeck@v2.nl - "please, let me know who to add"
>>
>>
>>
>>
>>
>> ++
>>
>> zte!m rumor = tom demeyer
>> = konztruktd nato. tzzt
>> ...................
>> ....uaz uear!ng dze nato logo.
>> ....f!lm!ng dze nato uorkshop
>> 4 lokaal telev!z!on
>> .............nn had
>> != apeard.
>> ...............zm!ld aud!bl!.
>> much d!zkuz!e + rumorz
>> okkur!ng.
>> .................2 tu!rl !n.
>>
>>
>>
>>
>>
>>
>>
>> vr!!!endl!. nn - r!ch.bored.edukated.
>> all dolled up 4 u!ntr -> http://euc.cx/
>>
>>
>>
>>
>>
>>
>>
>>
>> pre.konssept!n
>> meeTz ver!f1kat!n.
>>
>>
>>
>
be!ng portd 2 sc +? ou! - az zoon az zom 1 = kompletez sc3
info.data - desktop version - http://www.eusocial.com/nato.0+55+3d/gm/242.zol!z!tron.sit.bin
http://www.eusocial.com/nato.0+55+3d/242.055.propaganda.html
http://www.eusocial.com/nato.0+55+3d/242.objektz.html
http://www.bootsquad.com/nato/nato.html
komentari
http://www.eusocial.com/nato.0+55+3d/242.komentari.html
kode
http://www.eusocial.com/nato.0+55+3d/242.programmez.html
med!a
http://www.eusocial.com/nato.0+55+3d/242.media.html
http://datadouche.web.fm/
http://meta.am/
galla.zpektaklz
http://www.eusocial.com/nato.0+55+3d/242.zpektaklez.html
- -
- -
- -
pre.konssept!Ĝn
meeTz ver!f1kat!Ĝn.
- -
Netochka Nezvanova
f3.MASCHIN3NKUNST
@www.eusocial.com
17.hzV.tRL.478
e
|
| +----------
| | <
\\----------------+ | n2t
| >
e
------------------------------
Date: Wed, 15 Nov 2000 21:27:02 +0100
From: Arie van Schutterhoef <---@---.--->
Subject: Re: [ot] [!nt] be!ng portd 2 sc +?
>be!ng portd 2 sc +? ou! - az zoon az zom 1 = kompletez sc3
- -If that's the case, than that sounds very encouraging...
AvS
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
^ Arie van Schutterhoef | arsche@xs4all.nl
^_ħħħħħħħħħħħħħħħħħħħħħħħ__""""""""""""""""""""""""""""""""" |
` |Schreck Ensemble http://www.xs4all.nl/~schreck/ |
` |# -laboratory for live electro-acoustic music- # |
` |Tel: 00-31-71-5612287 Fax: 00-31-70-3859268 |
*========================================================++
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
------------------------------
Date: Wed, 15 Nov 2000 21:43:33 +0100
From: integer@www.god-emil.dk
Subject: [ot] [!nt] \n2+0\
Arie van Schutterhoef
>>be!ng portd 2 sc +? ou! - az zoon az zom 1 = kompletez sc3
>-If that's the case, than that sounds very encouraging...
>AvS
then
u!nk
------------------------------
Date: Wed, 15 Nov 2000 21:51:52 +0100
From: Arie van Schutterhoef <---@---.--->
Subject: Re: [ot] [!nt] \n2+0\
>Arie van Schutterhoef
>
>>>be!ng portd 2 sc +? ou! - az zoon az zom 1 = kompletez sc3
>>-If that's the case, than that sounds very encouraging...
>>AvS
>
> then
>
>u!nk
- -thank you...
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
^ Arie van Schutterhoef | arsche@xs4all.nl
^_ħħħħħħħħħħħħħħħħħħħħħħħ__""""""""""""""""""""""""""""""""" |
` |Schreck Ensemble http://www.xs4all.nl/~schreck/ |
` |# -laboratory for live electro-acoustic music- # |
` |Tel: 00-31-71-5612287 Fax: 00-31-70-3859268 |
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Date: Wed, 15 Nov 2000 15:02:27 -0600
From: James McCartney <---@---.--->
Subject: Re: imagesynth
on 11/15/00 8:44 AM, Arie van Schutterhoef at arsche@xs4all.nl wrote:
>>> from a weekend poking at imagesynth in SC3d1,
>>>
>>> any new comments on the development\release status of sc3?
> -Talking about these things:
> Are you thinking of developing the Image Synth in
> the near future, supporting graphic file formats,
> possibly even 3D,as well with things like
> Quicktime Movie manipulations (a kind of visual
> TSpawn, so to say), Quick Draw and Open GL?
Those would all be nice and obvious things to do.
I need to get the basic infrastructures underway first.
It already reads any kind of picture that Quicktime knows how to read.
The very first release may be weak in the image synth area, but that will be
evolving over time. Once I get a good API for the image stuff worked out
then perhaps things like nato or other can live there.
Things take more time to get done than I think, and I like to try to get
them right over getting them today.
- --- james mccartney james@audiosynth.com
SuperCollider - a real time synthesis programming language for the PowerMac.
------------------------------
Date: Wed, 15 Nov 2000 21:03:40 +0000
From: eric_hard_jams <---@---.--->
Subject: just 4 u london
WHY DONT YOU JUST TYPE IN FUCKING ENGLISH MATE!!!!!!!
ALL YOUR xzzz!!!cv!XX XZA x xxx!! ALL OVER THE PLACE DOes'NT IMPRESS
ANYBODY,
OK so you wrote a program called NATO !
ok sorted ,respect lush program,but can't you just type PROPERLY!
and then maybe people will bother reading it!
richard:)
hzV.tRL.478
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Date: Wed, 15 Nov 2000 22:42:35 +0100
From: Arie van Schutterhoef <---@---.--->
Subject: Re: imagesynth
>Those would all be nice and obvious things to do.
>I need to get the basic infrastructures underway first.
>It already reads any kind of picture that Quicktime knows how to read.
>
>The very first release may be weak in the image synth area, but that will be
>evolving over time. Once I get a good API for the image stuff worked out
>then perhaps things like nato or other can live there.
>
>Things take more time to get done than I think, and I like to try to get
>them right over getting them today.
- -Thanks and good luck with the work!
AvS
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
..................................................................
^ Arie van Schutterhoef | arsche@xs4all.nl
^_ħħħħħħħħħħħħħħħħħħħħħħħ__""""""""""""""""""""""""""""""""" |
` |Schreck Ensemble http://www.xs4all.nl/~schreck/ |
` |# -laboratory for live electro-acoustic music- # |
` |Tel: 00-31-71-5612287 Fax: 00-31-70-3859268 |
*========================================================++
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Date: Wed, 15 Nov 2000 23:05:40 +0100
From: integer@www.god-emil.dk
Subject: [ot] [!nt] \n2+0\
eric_hard_jams
>WHY DONT YOU JUST TYPE IN FUCKING ENGLISH MATE!!!!!!!
4 l!f = uantz 2 l!v
dze kaoz ov fasc!zm = extraord!nar+e
pre.konssept!n
meeTz ver!f1kat!n.
-
Netochka Nezvanova - 01 wandering lone electron may wreak havoc with hundreds of molecules
f3.MASCHIN3NKUNST
@www.eusocial.com
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Date: Wed, 15 Nov 2000 23:05:08 +0000
From: eric_hard_jams <---@---.--->
Subject: Re: [ot] [!nt] \n2+0\
>
>> WHY DONT YOU JUST TYPE IN FUCKING ENGLISH MATE!!!!!!!
>
>
> 4 l!f = uantz 2 l!v
>
>
>
>
>
>
>
>
>
>
> dze kaoz ov fasc!zm = extraord!nar+e
>
>
are you trying to call me a facist or summink?
that's not very accurate because I'm actually saying I want to listen to
what you've got to say I just can't be bothered to subtract the !
!)
richard
------------------------------
Date: Wed, 15 Nov 2000 15:14:07 -0800
From: Tomonori Yamasaki <---@---.--->
Subject: time stretch
I'm trying to make a "DJ" patch -with tap rhythm, peak detection of file to
get BPM, time stretch to adjust temp etc.
here's a cheap time stretch patch. PlayBuf at "1/rate", and PitchShift at
"rate". it works up to 4 times time stretch, but over 4, the pitch drops.
any help? (well I don't think I need that match stretch for sync-ing
drumloop files, but highly stretched file sounds cool... (matrix, touch the
mirror and scream, you know, for example. old kraftwerk "robot voice" tech,
I think.)
(
// timestretch prototype
var filename, sound, signal, rate, pitchy;
filename = ":Sounds:floating_1";
sound = SoundFile.new;
if (sound.read(filename), {
signal = sound.data.at(0);
Synth.play({
rate = MouseX.kr(0.3, 5);//over 4 makes pitch drop
a = PlayBuf.ar(signal, sound.sampleRate, 1/rate, 0, 0, signal.size-2);
PitchShift.ar(a, 0.1, rate, 0, 0.004);
//change timeDispersion (0.004) to 0 for "matrix" effect. hehe.
});
},{ (filename ++ " not found.\n").post });
)
------------------------------
Date: Wed, 15 Nov 2000 15:22:18 -0800
From: Lee Azzarello <---@---.--->
Subject: Re: [ot] [!nt] \n2+0\
fuck him up Ms. Nezvanova.
- -l
on 11/15/00 3:05 PM, eric_hard_jams at eric_hard_jams@btinternet.com wrote:
>
>>
>>> WHY DONT YOU JUST TYPE IN FUCKING ENGLISH MATE!!!!!!!
>>
>>
>> 4 l!f = uantz 2 l!v
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> dze kaoz ov fasc!zm = extraord!nar+e
>>
>>
> are you trying to call me a facist or summink?
>
> that's not very accurate because I'm actually saying I want to listen to
> what you've got to say I just can't be bothered to subtract the !
> !)
> richard
>
>
>
------------------------------
Date: Thu, 16 Nov 2000 00:40:45 +0100
From: integer@www.god-emil.dk
Subject: [ot] [!nt] \n2+0\
eric_hard_jams
>>> WHY DONT YOU JUST TYPE IN FUCKING ENGLISH MATE!!!!!!!
- imitate me. i like it.
- good imitators gain social status. attract MATEs + hav more offspring.
>>
>> 4 l!f = uantz 2 l!v
>>
>>
>>
>> dze kaoz ov fasc!zm = extraord!nar+e
>>
>>
>are you trying to call me a facist or summink?
Powered by Franklin Electronic Publishers
The word you've entered isn't in the dictionary.
Click on a spelling suggestion below or try
again using the Dictionary search box to the right.
Suggestions for facist:
1. fascist
2. fuzziest
3. fizziest
4. fussiest
5. fascists
6. facit
7. fascias
8. Fascista
9. fascism
10. Fascisti
11. okz!dent
>that's not very accurate because I'm actually saying I want to listen to
>what you've got to say I just can't be bothered to subtract the !
>!)
>richard
12. http://www.eusocial.com/nato.0+55+3d/242.ircam.html
ma! zrch `80 percent`. = dzat takex plasz nekst = 01 kompend!um ov
prm!t zom 12 konzum 01 ekxtra kaffee + g!glb!tz++
nn
Jean Cocteau : k!tt! laughd 01 laugh muz!kl +
NN :
DDDDDD
DDDDDDDDDD
DDDD8888DDDD
DDD88OOOO88DDD
DD8OOSSSSOO8DD
DDD8OSSSSSSO8DDD
DD8OSSS%%SSSO8DD
DD8OSS%%%%SSO8DD
DD mal!c!ouz 8DD
DD8OSSS%%SSSO8DD
DDD8OSSSSSSO8DDD
DD8OOSSSSOO8DD
DDD88OOOO88DDD
DDDD8888DDDD
DDDDDDDDDD
DDDDDD
DDDDDD
DDDDDDDDDD
DDDD8888DDDD
DDD88OOOO88DDD
DD8OOSSSSOO8DD
DDD8OSSSSSSO8DDD
DD8OSSS%%SSSO8DD
DD8OSS%%%%SSO8DD
DD mal!c!ouz 8DD
DD8OSSS%%SSSO8DD
DDD8OSSSSSSO8DDD
DD8OOSSSSOO8DD
DDD88OOOO88DDD
DDDD8888DDDD
DDDDDDDDDD
DDDDDD
mal!c!ouz
Jean Cocteau : yes. __.. apropoz - dze zigarete = preeminent art+work
ov human z!v!l!zaz!e + s!gnald dze end ov male dom!naz!e.
NN : all l!pz look zuzp!c!ouz. may ! +? ... thank you.
Seneca : death does not solve anything
NN : nor does life
Jean Cocteau : I am percolating
Jean Luc Godard : lo.kalor!e kompaz!onat zm!le
NN : life doez so aussi
Seneca : death does not dissolve anything
NN : beauty has its reasons.
- -
NATO.0+55 MAKEX YOU LUVL!
A+TO.05A5 MNKEX UYN ADROOM
A+MN05A5 K.X UYDETOROON AM
Netochka Nezvanova - nature isnt perfekt. this is.
f3.MASCHIN3NKUNST
@www.eusocial.com
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Date: Thu, 16 Nov 2000 00:52:57 +0100
From: integer@www.god-emil.dk
Subject: [ot] [!nt] \n2+0\
"TYPE IN FUCKING ENGLISH MATE!!!!!!!"
+
"fuck him up"
+
"nato can live there"
cezt zuf! ma!ntenant
= ultra apparent 01 2x authoring env = most necessari.
= kannot be bothered.
nn
- -
NATO.0+55 MAKEX YOU LUVL!
A+TO.05A5 MNKEX UYN ADROOM
A+MN05A5 K.X UYDETOROON AM
Netochka Nezvanova - nature isnt perfekt. this is.
f3.MASCHIN3NKUNST
@www.eusocial.com
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End of sc-users-digest V1 #202
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